Styles

Few elements, precise measure, whitespace doing the structural work.

A single photograph carries the argument; type serves it.

Drawn, painted or written by hand, including lettering.

Letterform as subject: distortion, modular systems, custom drawing.

Objective communication built on a visible grid, flush-left ragged-right setting and neutral grotesks.

Drawn imagery sets the register before any word is read.

Abundance held together by an underlying order.

Mixed writing systems, extreme precision, vertical and horizontal setting.

No imagery at all — composition, scale and spacing do everything.

Rules and code produce the form; the system is the design.

Raw structure left exposed: default type, unrefined spacing, no decoration.

Deliberate crudeness as style: hard borders, flat blocks, oversized labels.

Layering, quotation and grid subversion in place of neutrality.

Rejection of good-taste conventions; friction is the point.

Chrome, bevels, lens flare and techno-optimism.

Warped type, metallic surfaces and high-saturation digital residue.

Flyer economy: urgent information, photocopy texture, night-legible contrast.

Diagonal axes, geometric blocks, limited ink, agitational address.

Painterly metaphor and authorial image making over commercial legibility.

Political directness, vivid palettes and vernacular reference.

Assembled fragments, visible seams, found material.

Rendered objects, simulated light and material as the image.