Quo Vadis

Elements scale up progressively from top to bottom: small marks form a title line at the top, then rows of increasingly large outlined objects until two dominate the bottom edge.

The title is drawn in loose, uneven lowercase and caps letterforms spaced far apart across the top, matching the line weight of the drawings rather than any type family.

The largest bottom shapes read first, the eye then climbs the size gradient upward to the title, reversing the usual top-down path.

One object is repeated dozens of times as pure outline drawing at graduated scales, so the repeat itself creates perspective and depth on a flat field.

A single warm coral-red ground with dark charcoal outlines and no fills, keeping the whole sheet two-tone and open.