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Momochidori

Ryoko Nishizuka, Frank Grießhammer

Type Design PrizeTokyo TDC2026Japanese TypographyExperimental Typography
Tokyo TDC · 2026

Momochidori

Ryoko Nishizuka, Frank Grießhammer

Type Design Prize · official source below
Hook
A four-panel board for a typeface: two dense poster-like specimen panels on top, then two technical panels below showing weight and width variations laid out on ruled horizontal registers.
Hierarchy
Large characters lead each panel, framed sign shapes come second, and the small parametric labels are read only when studying the grid.
Energy
Japanese display lettering with heavy, closed, slab-like strokes is shown at poster scale and then broken down into a graded matrix of weights and widths, with faint annotation type carrying the specification.
Transfer
Colour-code the difference between demonstration and specification in a single presentation, and show a variable system as an even matrix so the reader can compare one axis at a time.

Why it works

Splitting the board into a loud applied half and a quiet analytical half lets one asset argue both that the type performs and that it is systematic, without the two registers competing.

What to borrow

Colour-code the difference between demonstration and specification in a single presentation, and show a variable system as an even matrix so the reader can compare one axis at a time.

Look closer

CompositionOpen

A four-panel board for a typeface: two dense poster-like specimen panels on top, then two technical panels below showing weight and width variations laid out on ruled horizontal registers. The lower half is diagrammatic, the upper half is applied.

TypographyOpen

Japanese display lettering with heavy, closed, slab-like strokes is shown at poster scale and then broken down into a graded matrix of weights and widths, with faint annotation type carrying the specification.

HierarchyOpen

Large characters lead each panel, framed sign shapes come second, and the small parametric labels are read only when studying the grid.

Image strategyOpen

The only photographic content is a wall of enamel-style signage panels; otherwise the imagery is lettering, framed shapes, and rules.

Color strategyOpen

The applied panels use warm red, cream, and green at high saturation; the technical panels drop to a muted grey-blue with pale yellow type, so system explanation and application are colour-coded apart.

Still to be written: Concept · Negative space · Texture · Production

Notes by POSTER INDEX — observational analysis from official Tokyo TDC asset

Source + details
Year
2026
Source
Tokyo Type Directors Club
Edition
Tokyo TDC Annual Awards 2026
Competition
Type Design
Award
Type Design Prize
Country
Not recorded
Type
Not recorded
Theme
Not recorded
Style
Japanese Typography, Experimental Typography
Typography
Not analyzed yet
Colour
Not analyzed yet
Density
Not analyzed yet
Imagery
Not analyzed yet
Provenance
Verified · official source
Source note
Client: Adobe · Category: Type Design
Image
External hotlink
Image note
Official Tokyo TDC asset · external hotlink · not owned by POSTER INDEX
Image credit
Tokyo Type Directors Club
Record ID
tdc-2026-003-momochidori

Source URL: https://tokyotypedirectorsclub.org/en/news/tdc2026-results/

Image source: https://tokyotypedirectorsclub.org/en/news/tdc2026-results/

Designers: Ryoko Nishizuka · Frank Grießhammer

Poster artwork remains the property of its respective designers, studios, clients and rights holders. POSTER INDEX is an independent research and reference project and does not claim ownership of featured artwork.