Momochidori
Ryoko Nishizuka, Frank Grießhammer
Momochidori
Ryoko Nishizuka, Frank Grießhammer
- Hook
- A four-panel board for a typeface: two dense poster-like specimen panels on top, then two technical panels below showing weight and width variations laid out on ruled horizontal registers.
- Hierarchy
- Large characters lead each panel, framed sign shapes come second, and the small parametric labels are read only when studying the grid.
- Energy
- Japanese display lettering with heavy, closed, slab-like strokes is shown at poster scale and then broken down into a graded matrix of weights and widths, with faint annotation type carrying the specification.
- Transfer
- Colour-code the difference between demonstration and specification in a single presentation, and show a variable system as an even matrix so the reader can compare one axis at a time.
Why it works
Splitting the board into a loud applied half and a quiet analytical half lets one asset argue both that the type performs and that it is systematic, without the two registers competing.
What to borrow
Colour-code the difference between demonstration and specification in a single presentation, and show a variable system as an even matrix so the reader can compare one axis at a time.
Look closer
CompositionOpenClose
A four-panel board for a typeface: two dense poster-like specimen panels on top, then two technical panels below showing weight and width variations laid out on ruled horizontal registers. The lower half is diagrammatic, the upper half is applied.
TypographyOpenClose
Japanese display lettering with heavy, closed, slab-like strokes is shown at poster scale and then broken down into a graded matrix of weights and widths, with faint annotation type carrying the specification.
HierarchyOpenClose
Large characters lead each panel, framed sign shapes come second, and the small parametric labels are read only when studying the grid.
Image strategyOpenClose
The only photographic content is a wall of enamel-style signage panels; otherwise the imagery is lettering, framed shapes, and rules.
Color strategyOpenClose
The applied panels use warm red, cream, and green at high saturation; the technical panels drop to a muted grey-blue with pale yellow type, so system explanation and application are colour-coded apart.
Still to be written: Concept · Negative space · Texture · Production
Notes by POSTER INDEX — observational analysis from official Tokyo TDC asset
Source + details
- Year
- 2026
- Source
- Tokyo Type Directors Club
- Edition
- Tokyo TDC Annual Awards 2026
- Competition
- Type Design
- Award
- Type Design Prize
- Country
- Not recorded
- Type
- Not recorded
- Theme
- Not recorded
- Style
- Japanese Typography, Experimental Typography
- Typography
- Not analyzed yet
- Colour
- Not analyzed yet
- Density
- Not analyzed yet
- Imagery
- Not analyzed yet
- Provenance
- Verified · official source
- Source note
- Client: Adobe · Category: Type Design
- Image
- External hotlink
- Image note
- Official Tokyo TDC asset · external hotlink · not owned by POSTER INDEX
- Image credit
- Tokyo Type Directors Club
- Record ID
- tdc-2026-003-momochidori
Source URL: https://tokyotypedirectorsclub.org/en/news/tdc2026-results/
Image source: https://tokyotypedirectorsclub.org/en/news/tdc2026-results/
Designers: Ryoko Nishizuka · Frank Grießhammer
Also in Tokyo TDC Annual Awards 2026
- Futura®100 MultiscriptVeronika Burian, José ScaglioneGrand Prize
- A Meaningful OrderOK-RM (Oliver Knight and Rory McGrath)Book Design Prize
- The GraffitiRyo OrikasaRGB Prize
- Tsuguya Inoue Graphics +81 ExhibitionTsuguya InoueSpecial Prize
- cosmo-typesetting automatonYoichi AzegamiTDC Prize
- Cosmoscow International Contemporary Art FairOxana Paley, Jane BerezhnaTDC Prize