immiscible

A four-panel board of object and installation documentation rather than a poster: a translucent box standing on a grey floor, a top-down view of three white boxes with glass beakers on a printed sheet, a translucent sheet leaning against a white corner, and a flat arrangement of printed cards and a folded item. Every frame places a small amount of matter in a large empty grey or white field.

All text is set extremely small in a plain sans, packed into narrow left-aligned blocks that sit low on transparent surfaces; individual lines are coloured differently, so the text reads as a fine multicoloured texture before it reads as words.

The object silhouettes and their shadows lead, the small colour-flecked text block second, and its actual content last.

Photography documents physical artefacts in situ, using soft shadows and translucency so the same text block is seen through material, printed flat, and reproduced at card scale.

Neutral white and grey dominates almost entirely; colour appears only inside the tiny type, where green, blue, magenta, and orange lines alternate, giving saturation without any coloured area.