Stop Oppressing Woman

The sheet is divided into stacked horizontal red bands separated by hairline white slivers that taper to points, with band depths varying from very tall at the top to tightly packed at the bottom.

A single line of very small condensed caps runs vertically up the top-right edge and is the only text on the sheet; at pale weight against saturated red it sits near the threshold of legibility.

The red field dominates, the rhythm of white cuts is second, and the vertical title is intentionally last.

There is no photograph or drawing at all: the tapering gaps between blocks carry the whole visual argument.

One saturated red across almost the entire surface with a thin pale border and white slivers as the only relief, making the absence of colour the active element.